Tiny Grotesk: bridging 500 years of type design

Tiny Grotesk is a tiny superfamily. In a market where sans-serif families quickly grow to contain dozens of styles, sometimes over a hundred, Tiny Grotesk is an antidote, a proposal to do more with less. It covers as much ground as possible, across only twenty-four carefully selected styles.

Tiny Grotesk is in its regular width a clean, friendly neogrotesk with relaxed capitals and a round, even-keeled lowercase. The two accompanying widths, Narrow and Wide, expand it into a complex typographic toolkit. The Narrow styles, space-saving and optimised for small use, are ideal for footnotes, asides and UI elements. The Wide styles, imposing and optimised for large use, demand space, and will take that space no matter what. This pairing makes the family versatile and broadly usable while remaining as compact as possible.

Tiny Grotesk has been in development since 2019, slowly but steadily expanding in scope but not really in size. It has been used in a few print projects, on some vinyl records, and for a complex digital catalogue before its release in 2024 and expansion in 2026.

Bridging some 500 years of typographic ideas

The initial idea for the family started in a perhaps weird place: 1500s italic calligraphy and movable typefaces based on it. In these early days, the lowercase was a cursive italic. The capitals, however, were upright forms. Since the capital letters in these texts occurred relatively rarely – an average of something like once every forty characters – their presence clearly wasn’t disruptive to readers. Not disruptive enough to feel the need to draw italic capitals, which would require a whole new set of sorts to be drawn, cut and cast. I can’t blame them for wanting to be efficient.

The italics by Ludovico Arrighi were the original inspiration for Tiny Grotesk, in a direct but not entirely obvious way. The proportions were taken from his second italic, and I wanted to explore them in depth. Would the typographic rhythm work in a sans-serif jacket, even with the strange width relationship between these capitals and lowercase letters?

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Looking Back and Ahead(er): Goodbye 2025, Hello 2026!

Let’s enjoy a look back at the headers featured here on Alphabettes.org in 2025:

Hespera (wip) typeface by Muk Monsalve — January 1 · @mukmonsalve
Typeface Don’t (wip) by Raven Mo — January 15 · @ravenmodesign
Thai, Crushual Italic by Boom Promphan S. · @boom.type
Arabic F37 Morta by Shaqa Bovand — February 15 · @shaqabovand
Georgian by Ana Sanikidze — March 1 · @wickedletters
Lettering by Brooke Hull — March 15 · @brookehull_designs
Aksan by Yaprak Buse Çağlar — April 1 @typolea
Rubina Typeface by Lora Shtirkova — April 15 · @loraincolors
Devanagari (WIP) by Lipi Raval — May 1 · @lipi.xyz
Hangul (WIP) by Joohee Lee — May 15 · @jooo.h
CMM Coda by Anna Cairns — June 1 · @a____cairns
Sumprat by Anne-Dauphine Borione (Daytona Mess) — June 15 · @daytonamess.otf
Palestine Still Bleeds — “Alphabettes” in Arabic by Omaima Dajani — July 1 · @omaima_dajani
Gustine Extra by Natalie Rauch — July 15 · @natalierauch
Vietnamese by Đông Trúc — August 1 · @do_ngtruc
Betania Patmos by Carolina Giovagnoli — August 15 · @laranadg
Party lettering by Carine Vadet-Perrot — September 1 · @carinevadetperrot
For the Flowers Crushed with Bombs — Alphabettes in Arabic by Maryam Golpayegani — September 15 · @golpayegani.maryam
Loew Next Devanagari by Amélie Bonet — October 1 · @ameacute
Vietnamese lettering by Xindha Yaeger — October 18 · @designedbyxin
Shariit by Nada Abdallah — November 1 · @nadabdalla
Mabuhay Display by Clara Cayosa — November 15 · @clarasees
Epitafio (in progress) by Mónica Rodiño — December 1 · @mrodinho

All past headers are archived here.

Thank you to Muk Monsalve & Amy Papaelias for keeping the headers flowing all year long. And endless thanks to our community and to all the incredible designers who shared their work with us this year.


Coming up real soon — Alphabettes Soup: Feminist Approaches to Type, our book that also features the 10-year archive of headers (Sept 2015–Nov 2025). To be published with Bikini Books in March 2026. Pre-order now!

Want to submit a header in 2026?

We warmly welcome submissions of type and lettering in all scripts, translations, and transliterations for the Alphabettes header. In-progress work, new releases, old things you found in your Desktop > DesktopGarbage > desktop folder.
Reach out via our contact page. 


Cheers!