Font Reviews 2024: Diatype Devanagari

Designed by Kimya Gandhi (Mota Italic)
Multiscript Art Direction: Ethan Cohen (Dinamo)
Production: Hugo Jourdan (Dinamo)
Distributed by Dinamo
Font family: 8 weights

This font review was originally written in French, a language spoken by approximately 80 million native speakers worldwide. English version of the review below.

Diatype Devanagari fait partie de la famille de caractères Diatype, qui couvre également l’arabe, l’arménien, le cyrillique, le géorgien, le grec, l’hébreu, le latin et le thaï. Conçu par Kimya Gandhi (Mota Italic), ce devanagari au style grotesque se distingue par une simplicité des formes sans pareille.

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Font Reviews 2024: Adapter Georgian

Designed by Ana Sanikidze
Distributed by Rosetta Type
Font family: 2 styles (roman + oblique) and 8 weights. 16 static fonts + 1 variable font

This font review was originally written in French, a language spoken by approximatively 80 million native speakers worldwide. English version of the review below.

Adapter fait partie de la collection Type World, une famille de polices polyvalente intégrant l’arabe, le cyrillique, le grec, l’hébreu, le latin et le tamoul. Ana Sanikidze a été invitée à élargir la famille en créant Adapter Georgian Text, comportant 8 graisses allant de Extra Light à Black, ainsi que leurs italiques correspondantes. Fidèle à la philosophie d’Adapter, l’extension géorgienne offre un équilibre entre authenticité et fonctionnalité: des caractères proportionnels mais rationnels entre romain et italique.

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Remember December: Standard Type Foundry, New Delhi

December 2009

I am now a graduate in Type Design from Reading University; pleased but somehow empty. After handing in my master thesis on the last day, September 17th (also my birthday), and after celebrating typography in Mexico City at ATypI in October, I was already back in Paris, my hometown, for a month. Not having yet found any job, I registered at the Job Center, aka Pôle Emploi. My experience happened to be quite schizophrenic when I was told my Resume was most likely too sad, too black and white. The Job Center office suggested me thereafter to follow a Resume layout training. I do not think my qualifications were even recognized in this state organization.

The future was not looking that bright for me; I was clueless about what to do next. One evening I met up with a few friends; amongst them was Titus Nemeth. We talked about different things but most importantly … travel to the place where the writing system I have studied in Reading is used. A few weeks later I had tickets to New Delhi in my pocket, ready for a Devanagari overflow!

Preparing the trip, I started learning Hindi; that aim was never really successful, unfortunately. On the other hand, it was encouraging and positive to meet Mayank, my French-Hindi tandem partner. He put me in touch with his dad, who came to meet me at the New Delhi airport with his chauffeur. My Hindi was quite ridiculous and neither Mayank’s dad nor the young chauffeur could articulate words in English. They dropped me off at my hotel.

After acclimating to New Delhi – the weather was exceptionally warm for March, around 42°C (108°F) every day – I realized that traveling around the country on my own would be difficult, more likely, impossible. Instead, I decided to focus on researching type in Delhi. First and foremost, I visited the small design studio of Ishan Khosla. There, I was warmly welcomed and Ishan gave me a ruler he got from someone, mentioning that “the foundry may still exist in Old Delhi”. The Standard Type Foundry. That is all I needed at that time: a challenge!

Remember December: Standard Type Foundry – 03/12/17

Remember December: Standard Type Foundry, New Delhi

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