We have a strong type tradition in Ukraine. Over the past few years, Ukrainian type design has been growing rapidly. I believe that now, during the war, when Russian invaders are destroying not only our nation but also our cultural heritage, it is even more important to highlight Ukraine’s graphic and type tradition.
I enjoy creating letters that are inspired by Ukrainian architecture (for example, my Misto font), works by Ukrainian graphic artists of the last century and vernacular typography. The lettering I did for Alphabettes was inspired by the 1954 book cover created by Mykhailo Dmytrenko. I like to take historical samples as a basis and rethink them more or less in a modern context. In this way, you can build a bridge between the past and the present. Visual communication becomes stronger and makes sense.
I aim to introduce Ukraine into the arena of type. The boundaries are non-existent and limitless. I can advise you to get acquainted with the works of other prominent Ukrainian graphic artists, whose letters I like the most: Jacques Gnizdovsky, George Narbut, Robert Lisovsky, Vasyl Yermilov, Nil Khasevych, Vasyl Krychevsky, Myron Levitsky.
Many of these graphic artists were affected by the war. Some were forced to leave Ukraine and go abroad. Some remained and were repressed by the Soviet authorities for their pro-Ukrainian views. But they all continued to work, preserve and create the Ukrainian heritage.
As graphic artist Neil Hasevich said, “As long as there is at least one drop of my blood left, I will fight the enemies of the Ukrainian nation. I can’t fight them with weapons, but I fight with a cutter and a chisel.” He did not have one leg, but he had an indomitable spirit.
We believe in our victory. Glory to Ukraine!