Designed by Emily Klaebe
Mastered by Tiny Type Co.
Distributed by Order
Font family: 5 weights. 5 static fonts. Trials available

This font review was written in English and translated into Portuguese (BR—below), with over 230 million native speakers, making it the 8th most spoken language in the world.

If you need a bracketed slab serif with a nostalgic feel, less contrast, and more quirks than the jaw-dropping Ionic Modern from Commercial Type, Stringer may be the perfect fit. Emily’s first commercial release, designed during the Type West program in 2022, and published by Order, is a revival from Ionics of the early 20th century—more precisely Miller & Richard’s Ionic No. 3 at 12-point—in five up-right weights, from Thin to Bold (fingers crossed italics are upcoming).

Designed by Sabrina López
Distributed by Typesenses
Font family: 6 weights, 2 styles (regular and italic) + variable font

This font review was originally written in Spanish, the colonial language of Argentina. Before colonization, the native people used various languages such as toba, pilagá, mocoví, wichí, nivaclé, chorote, tapiete, quichua, tehuelche, mapudungun, guaraní, vilela, chaná, among others.
English translation of the review below.

Sabrina López es una diseñadora especializada en fuentes display, vive y trabaja en Argentina. Inició Typesenses en 2009.

Honesta es una grotesca que se deja seducir por la caligrafía e irrumpe en el catálogo de Typesenses, repleto de tipografías decorativas, display y ligadas. Muestra el rastro de la metodología de trabajo artesanal de Sabrina López, caracterizada por la búsqueda de referentes históricos, el dibujo a mano, mucho papel calco y una gran cantidad de bocetos y borradores a lápiz.

Designed by Anna Khorash & Reymund Schröder
Engineering: NaN Team
Additional Engineering: Igino Marini
Distributed by NaN
Typeface family: NaN Druid Serif (9 weights) + NaN Druid Sans (9 weights). 18 static fonts + 2 variable fonts (weight axis).

This review was originally written in Catalan, a language spoken by 9.2 million worldwide.
The English version of the review is below.

NaN Druid és una crida al teu ull, en la versió serif combina la delicadesa amb l’estètica del brutalisme, cosa que m’agrada molt. El pes més atrevit d’aquesta subfamília és una mica experimental, amb talls asimètrics i detalls angulars, i familiar alhora, perfecte per a projectes que necessiten una certa personalitat, pero sense ser molt cridanera.

Designed by Barbara Bigosińska
Distributed by Blast
Font family: 8 weights, 2 styles, and 2 sub-families. 32 static fonts + 2 variable fonts

This font review was originally written in Galician, the official language of Galicia, which has been spoken for over 2000 years and is now used by more than 2 million people. English translation below.

Sharf ve a luz en 2021 dende a incubadora de Future Fonts. Aquela versión 0.1 contaba xa con unha fonte variable, que permitía navegar o espazo de deseño entre os distintos pesos da tipografía. Nace con dous tamaños ópticos, cunha clara intencionalidade de uso en deseño editorial.