Playpen Sans, espontaneidad y tecnología en una sola fuente

This font review was originally written in Spanish. English translation below.

En el mundo de las tipografías, hay fuentes que intentan imitar la escritura a mano, pero pocas lo logran con la naturalidad y el encanto de Playpen Sans. Diseñada por la española Laura Meseguer y el equipo de Type-together encabezado por Veronika Burian y José Scaglione, esta fuente no solo captura la esencia de lo orgánico y lo humano, sino que también ofrece la precisión y versatilidad de una tipografía digital profesional. Playpen Sans es una solución ingeniosa para quienes buscan un equilibrio entre la espontaneidad de la escritura manual y la consistencia de lo digital.

Imperfección controlada

Imágenes tomadas del sitio web de Type-Together

Uno de los mayores desafíos al crear una fuente que imite la escritura a mano es lograr que parezca auténtica sin perder la funcionalidad. Playpen Sans resuelve este problema con una solución ingeniosa: incluye siete versiones de cada carácter y un sistema integrado que “baraja” estas alternativas para evitar repeticiones, esta característica me recordó un proyecto que siempre traigo en la mente, diseñada por Alejandro Lo Celso la fuente Artl Lanzallamas de la fundidora Argentina Pampatype. Esta característica de tener varias alternativas que cambian según vas escribiendo hace que el texto tenga inconsistencias naturales, como si realmente hubiera sido escrito a mano, pero sin sacrificar la coherencia visual.

Imágenes tomadas del sitio web de Type-Together

La familia tipográfica cuenta con ocho pesos, unas versión variable que tiene un eje de peso y soporta más de 150 lenguas basadas en el alfabeto latino. También incluye emojis tipo sticker, perfectos para dar un toque lúdico y animado a diseños informales. Personalmente, me encanta este detalle, ya que me imagino escenarios donde estos emojis se puedan utilizar en entornos de enseñanza-aprendizaje, libros o cuentos de lectura infantil.

Imágenes tomadas del sitio web de Type-Together

Playpen Sans fue diseñada pensando en no diseñadores y en contextos donde la informalidad y la cercanía son clave. Es perfecta para tarjetas de felicitación, invitaciones, señales casuales, materiales educativos y, por supuesto, libros infantiles, cómics y novelas gráficas. Su versión como fuente variable añade una ventaja adicional para diseñadores y desarrolladores que buscan control total, ahorro de datos y calidad de diseño.

Si buscas una fuente que transmita calidez, diversión y un toque humano, Playpen Sans es una elección que no te decepcionará, además la puedes adquirir de forma gratuita en el sitio web de Google Fonts.


Playpen Sans

In the type world, some fonts try to imitate handwriting, but few achieve the naturalness and charm of Playpen Sans. Designed by Spanish designer Laura Meseguer and the Type-together team led by Veronika Burian and José Scaglione, this font not only captures the essence of organic and human elements but also offers the precision and versatility of a professional digital typeface. Playpen Sans is an ingenious solution for those seeking a balance between the spontaneity of handwriting and the consistency of digital typography.

Controlled Imperfection

One of the biggest challenges in creating a font that imitates handwriting is making it look authentic without losing functionality. Playpen Sans solves this problem with an ingenious solution: it includes seven versions of each character and an integrated system that “shuffles” these alternatives to avoid repetition. This feature reminded me of a project I often think about: Artl Lanzallamas, a font designed by Alejandro Lo Celso from the Argentine foundry Pampatype. Having multiple alternates that change as you type gives the text natural inconsistencies, as if it were truly handwritten, without sacrificing visual coherence.

The typeface family comes in eight weights, a variable version with a weight axis, and supports over 150 Latin-based languages. It also includes sticker-like emojis, perfect for adding a playful and lively touch to informal designs. I love this detail, as I can imagine scenarios where these emojis could be used in teaching and learning environments, children’s books, or storybooks.

Playpen Sans was designed with non-designers in mind and for contexts where informality and approachability are key. It is perfect for greeting cards, invitations, casual signs, educational materials, and, of course, children’s books, comics, and graphic novels. Its variable font version is an added advantage for designers and developers seeking complete control, data savings, and superior design quality.

If you’re looking for a font that conveys warmth, fun, and a human touch, Playpen Sans is a choice that won’t disappoint. Plus, it’s available for free on the Google Fonts website.

Disrupting Type Canons: Representing Fat Bodies

Overlay of colorful, illustrated fat letterforms on top of an image reading "Anatomy of a Typeface" that is meant to demonstrate how the fat letterforms could reimagine how we teach typographic anatomy.

Above: Brooke Hull. “Overlay of Fat Letterform Illustrations on Type Anatomy Guide.” 2023. Type Anatomy guide image via Material Design. “Understanding typography.” nd. https://m2.material.io/design/typography/understanding-typography.html#type-properties 

How can we disrupt design canons & fight fatphobia intersectionally through embodied typography? 

This research began as I discovered and accepted my own fat, nonbinary body for the first time at the age of 23-24. I was in graduate school having to not only expand my knowledge about the systems within the world around me but having to understand how those systems impacted my own body. As a person who has been fat my whole life, I never accepted this reality until I learned about the system of oppression known as fatphobia. 

Fatphobia, as defined by Dina Amlund, is “the name of the structure and the social hierarchy that place people of size, or fat people, beneath slender people” (2017).

Fat people face proven discrimination at work, in relationships, in healthcare, and in the media (Cooper Stoll 2019). Fatphobia, like all other systems of oppression, is intersectional (Crenshaw 1989), further harming folks who embody multiple systems of oppression, like race, gender, sexuality, and disability. While learning about these intersecting systems of oppression, I wanted to use design to relate these systems to my own body and bodies like mine. This is where the idea of fat typography began. 

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Font releases and reviews from 2024

Reflecting on the past year, we can say the number of new typeface releases was remarkable. The type market has become more diverse and competitive than ever, with new fonts hitting the scene every day. Both amateur and professional designs are eager to be in the spotlight so they can really be seen. In this hectic landscape, we find it valuable to offer insights that help identify excellence and merit within the crowd. This includes evaluating proficiency in crafting letters, the overall quality of the font, and the contributions that a new typeface brings to the table.

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Font Reviews 2024: Playwrite

Designed by Veronika Burian, José Scaglione
Available at Google Fonts
Font family: 4 weights for every handwriting model. 68 handwriting models from 40 countries.

This font review was originally written in Spanish. In Colombia alone, there are more than 43 million native Spanish speakers. English translation below.

Las fuentes tipográficas suelen pasar desapercibidas, pero su impacto es profundo. Como demuestra Playwrite, pueden trascender su función estética para convertirse en puentes educativos. Detrás de cada trazo de lápiz hay un mundo de conexiones neuronales, memoria y creatividad. Aunque vivimos en una era digital, aprender a escribir a mano sigue siendo un pilar formativo esencial. El desafío surge cuando cada región del mundo enseña este arte con estilos y métodos distintos. La solución llegó de la mano de Playwrite. Diseñada por Typetogether y disponible en Google Fonts, Playwrite es más que un conjunto de letras. Es una herramienta pedagógica que se moldea a las particularidades de más de 40 países, desde la cursiva vertical de Francia hasta la escritura simplificada de Finlandia.

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Font Reviews 2024: Atlas Mono

Designed and distributed by Giulia Boggio

This font review was written in English and translated into Dutch, a language spoken by about 30 million people worldwide.

Giulia B. is a multimedia designer based in London (UK), focusing mainly on type, graphic, and web design.

Monospaced fonts are a personal favourite and I had to shine a light on this editorial fixed-width for our Alphabettes Font Reviews 2024 segment. Sometimes, it seems that typefaces these days are by default superfamilies, covering every possible weight, width, style, optical size, and taking on any possible typographic application they face. Well—let’s flip that coin for a second and focus on this striking single-style design.

Atlas Mono, monospaced, Giulia Boggio, font review
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24 Hour Hangout for International Women’s Day 2025

What time is it? It’s time for our annual tradition: the Alphabettes 24-Hour Hangout to celebrate International Women’s Day! ⏰ From March 8, 2025 at 12:00am ET / 05:00 UTC to 11:59pm ET / 04:59 UTC 3/9, stop by for conversations on type, design, lettering, the universe, etc. Some times may be more spontaneous and chatty, other hours might be filled with activities and presentations.

>>>Join the Live Hangout!<<<

Note: We’ll be using Jitsi.

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Font Reviews 2024: Lock

Designed by Mark Bloom and Diana Ovezea
Distributed by CoType
Typeface family: 4 sub-families, 6 weights. 24 fonts

This text was originally written in Romanian, the official language of Romania and Moldova, spoken by 25 million people. The English version of the review is below.

Lock, creat de Mark Bloom & Diana Ovezea, este prima superfamilie tipografică în catalogul CoType Foundry, îmbinând stilurile serif și sans-serif, alături de varianta stencil.Conceput ca un sistem unitar, și nu ca stiluri separate, Lock echilibrează contrastul și coeziunea, fiind o alegere versatilă pentru designerii care caută flexibilitate și impact vizual.

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