Remember December: Standard Type Foundry, New Delhi

December 2009

I am now a graduate in Type Design from Reading University; pleased but somehow empty. After handing in my master thesis on the last day, September 17th (also my birthday), and after celebrating typography in Mexico City at ATypI in October, I was already back in Paris, my hometown, for a month. Not having yet found any job, I registered at the Job Center, aka Pôle Emploi. My experience happened to be quite schizophrenic when I was told my Resume was most likely too sad, too black and white. The Job Center office suggested me thereafter to follow a Resume layout training. I do not think my qualifications were even recognized in this state organization.

The future was not looking that bright for me; I was clueless about what to do next. One evening I met up with a few friends; amongst them was Titus Nemeth. We talked about different things but most importantly … travel to the place where the writing system I have studied in Reading is used. A few weeks later I had tickets to New Delhi in my pocket, ready for a Devanagari overflow!

Preparing the trip, I started learning Hindi; that aim was never really successful, unfortunately. On the other hand, it was encouraging and positive to meet Mayank, my French-Hindi tandem partner. He put me in touch with his dad, who came to meet me at the New Delhi airport with his chauffeur. My Hindi was quite ridiculous and neither Mayank’s dad nor the young chauffeur could articulate words in English. They dropped me off at my hotel.

After acclimating to New Delhi – the weather was exceptionally warm for March, around 42°C (108°F) every day – I realized that traveling around the country on my own would be difficult, more likely, impossible. Instead, I decided to focus on researching type in Delhi. First and foremost, I visited the small design studio of Ishan Khosla. There, I was warmly welcomed and Ishan gave me a ruler he got from someone, mentioning that “the foundry may still exist in Old Delhi”. The Standard Type Foundry. That is all I needed at that time: a challenge!

Remember December: Standard Type Foundry – 03/12/17

Remember December: Standard Type Foundry, New Delhi

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Remember December: My parents at a type conference

My parents, Manos and Diane. They have slightly parted in this picture to show that Anthony Bourdain is dining behind them.

Shortly after my return from TypeCon Seattle in 2016, my mom had an idea: “You get to go to these conferences in cool cities, next time we should come with you!”. The next conference I was planning to go to was Typographics in New York – a city neither of my parents, despite being world travelers – had ever visited. It was fate.

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Remember December One: Havana Lettering Clurb

We may think 2017 was “a garbage fire of a year” but it wasn’t, at least not totally. Each day for the month of December, we are bringing you one remarkable, personal thing we want to remember 2017 for.
Taylor goes first:

 

Havana Lettering Clurb

This year I needed a vacation. Not a visit-your-friend-in-another-city vacation. Not a take-friday-and-monday-off long weekend. Not a tag-along-with-your-parents anniversary trip. No, a real vacation with some adventure, a beach, and some goddamn peace and quiet.

A good friend and I decided on Cuba. The Obama administration’s decision to lift travel restrictions had already been partially revoked, so we knew we didn’t have much time before the borders would be shut again. Most importantly, it fit our tight budget.

I turned my phone off for a week of analog exploration. I played a game of historical investigation with type that surrounded me. I found that the environmental letterforms, like the architecture, took many different forms.

One of my favorite spots on any vacation is the local cemetery and Colon did not disappoint. Many of the headstones used bold and geometric grotesque sans faces.


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Showcase: Guru Gomke

Project: Guru Gomke
Designer: Pooja Saxena
Company: Matra Type
Team Members: Subhashish Panigrahi
Client: Centre for Internet and Society’s Access to Knowledge (CIS-A2K)
Published: 2016
Link: Guru Gomke on Github

Gure Gomke newspaper

Pooja Saxena has designed some really nice Indic script typeface families (Farsan Gujarati and Cambay Devanagari for example), but I want to take a moment to shine a light on one particular project of hers.

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Holiday Shopping with the Alphabettes

Certainly you’ve already gotten twenty dozen emails alerting you that today is CYBER MONDAY and that you MUST SHOP or you’re not doing your duty as a citizen of Planet Earth. If that consumer hypnosis has gotten to you, but you’re wondering how to support some awesome independent women in typography whilst stuffing those stockings this year, check out the shops below!

Left image courtesy Nicole Phillips / right image courtesy Maria Montes

From prints to shirts, greeting cards to enamel pins, these ladies have you covered this holiday season. Please feel free to let us know in the comments what other online stores we may be missing!

Granada: The Spanish language as type design criteria

Halfway through 2016, as I was finishing my undergrad Graphic Design studies, I became very interested in the idea of researching the relationship between language and type. Fortunately, I stumbled upon Bianca’s dissertation, which helped me greatly as I could build upon her thoughts, draw my own conclusions and hopefully design a typeface based on language as criteria.

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