Cooking with Peter Pauper Press

My connection with the Peter Pauper Press cookbook series started during the first years I was living in California.
I recall the first time I found a book from the collection was at the Recycle Bookstore in San Jose, CA — one of the best second-hand bookstores in the Bay Area. During the years living in California I found so many great books in this bookstore and they also have two great cats.

Recycle Bookstore, Ender the cat taking care of business and my friend Calvin browsing through books, San Jose, CA. Photos by Frank Grießhammer

The first book I got was Simple French Cookery. I was in awe: from the colour combination to the type choice and the effective and simple illustrations.

Simple French Cookery (1958)

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Alphacrit: January 18, 2019

This special session of Alphacrit will focus on Indic scripts, specifically Devanagari and Odia. Kimya Gandhi and Alessia Mazzarella will review in-progress typefaces of four lucky participants seeking feedback on their work. Sol Matas will moderate to ensure a smooth crit. Read on to learn more.

Kimya Gandhi is a type designer from Mumbai with a passionate interest in Indic scripts, specialising in creating new and innovative Devanagari typefaces. Kimya is a partner at the type foundry, Mota Italic, with her husband Rob Keller. She divides her time between designing and teaching typography and type design at various design institutes in Mumbai. After graduation, Kimya gave herself two years to decide if she wanted pursue type design professionally, it’s been 7 years since and she is very happy that she did.

Alessia Mazzarella is a senior type designer at Fontsmith. After receiving a BA in Graphic Design from Central Saint Martins and a BA in Graphic and Multimedia Design from Sapienza (University of Rome), her interest in type design led her to the Typeface Design MA program at the University of Reading. She graduated with distinction in 2013. Alessia is interested in the technical and multi-script aspects of typeface design.

What to expect: Four people will present their in-progress typeface, each receiving approximately 10 minutes of feedback. The entire session will last about an hour. Participants will have the benefit of sitting in on the other critiques as well. To keep it focused, we suggest presenting either a single weight of a typeface or come prepared with a specific question about a multi-weight typeface. Specimens need to be ready a couple of days before the session so plan ahead!

When & where: Friday, January 18 at 6:30 pm GMT (UTC +00:00) via video conferencing.

Who can participate: This session is open to everyone, of any skill level, and the four spots will be drawn lottery style. Preference will be given to underrepresented groups and people who haven’t participated before. Underrepresented groups include, but are not limited to: women, people of color, people with disabilities, and LGBTQ+ individuals.

How to apply: Fill out this form https://goo.gl/forms/dvHmo8QYt7NYSJuj2

It asks for some very basic information, like your name and email address. Nothing you can’t handle.

Applications due by: January 10, 2019

Questions: Still have questions? Drop us a line at crit@alphabettes.org.

A visit to the Islamic Arts Museum Malaysia

Even though I had lived in Kuala Lumpur for about 8 years previously, I had never visited the Islamic Arts Museum before. That was a time of my life before I started really getting into typography. In fact, until my friend, Sareh Heidari, told me about the museum, I didn’t even know it existed. But it’s now one of my favourite museums, and I’m so glad it’s almost in my backyard (almost, sort of).

Islamic Art Museum Malaysia

Islamic Art Museum Malaysia

The temporary exhibition I managed to catch was Al-Tibb: Healing Traditions in Islamic Medical Manuscripts, which really showcased the Islamic Golden Age.

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Treats treats treats!

If you, like me, need some last minutes gifts or just want to make some sweet treats for the dark times, we have collected some traditional regional recipes to celebrate winter solstice.

Discussion starter was this curious apparatus I once bought in the Czech Republic but never got around to try to use. Veronika Burian was able to identify them as the iconic Vosí Hnízda – Czech rum beehives – she knew and helped with translation of the recipe: “1 žloutek = 1 egg yolk. The last 4 things are for the filling, and 240 gr of crumbled biscuits, not flour. They are super lecker!”

If you want to make them in your own plastic beehive form or improvise a different mould: Mix 220 gram fine sugar, 240 gram ground ladyfinger biscuits, 135 gram butter, 3 tbsp (tablespoons) cocoa powder, 4 tbsp rum, 3 tbsp milk, 1 package vanilla sugar or some vanilla extract into a dark “shell” dough. For the filling mix 100 gram butter, 1 tbsp rum, 1 egg yolk and 80 gram fine sugar and fiddle it into the middle of some dark dough. No baking. Just place each beehive on a round (ladyfinger-like) cookie.

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Speaking of traditional regional specialities, Doris Lang contributed her recipes for the delicate half-moon-shaped Vanillekipferl: “This is an iconic, famous, traditional Christmas cookie from Austria. I know, some Germans might say it is German, but if I think of the most iconic Austrian recipe, that would be it.” Vik again though: “The Czechs would claim that Vanillekipferl are their invention. My mum makes them every Christmas. For us they are called Vanilkové Rohličky.” Either way, this German can attest they are equally indispensable in my family and definitely delicious.

Ingredients:
11/2 cup (260 g) flour
1 egg yolk
2 tsp. vanilla extract
3/4 cup (80 g) powdered sugar
1 cup (100 g) ground almonds
1 cup (200 g) cold butter, cubed
1/3 to 1/2 cup vanilla sugar (sugar mixed with ground vanilla bean)

Instructions:
Put the flour, egg yolk, vanilla extract, powdered sugar, and ground almonds in a bowl and mix with a mixer. Feed butter cubes one at a time until it’s incorporated, and the dough comes together. Lay a piece of plastic wrap on the table. Dump the dough onto the plastic. Shape the dough into a log, about 2 inches in diameter. Wrap the log in the plastic wrap, kind of squeeze and form as you go. (Vik says no need for the plastic wrapper thing, you can also just form long rolls and put them on a plate.) Refrigerate for 30 min. Preheat the Oven to 350 °F / 180 °C.
Put the Vanilla Sugar in a small bowl. Take the dough out of the fridge, slice off 1/4 to 1/2 inch slices and roll them between your hands to a mini log shape. Taper the ends and bend the dough to a crescent shape and put it on a cookie sheet. That’s one … 49 to go.
Place them on a baking sheet with about an inch of space in each direction. Bake for 12 minutes until browning around the edges. After baking, roll the cookies in vanilla sugar while they are still warm, then set aside to cool. Store in an airtight container. Eat and get a sugar buzz.

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Speaking of recipes involving almonds, I couldn’t let Siena’s to-die-for Riciarelli go unmentioned:

125 gram almonds, ground, better to slightly roast them in a dry pan
75 g fine sugar
50 g powder sugar
1 pkt vanilla sugar
1 egg white

Cut into the traditional rhombus shape or any way you like and best let them dry for some hours before baking but I am usually not patient enough to do that; bake at 160 °C for 15–20 min. They should be very lightly golden. Don’t let them brown too much otherwise they get too hard and dry.

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Speaking of Italy, Amy Papaelias contributed her grandmother Michelina’s Italian Sesame Cookies:

1/4 cup butter
1 cup sugar
3 eggs
1/2 tablespoon vanilla
2 1/2 cups flour
3/4 tablespoon baking powder
1/8 teaspoon salt

Mix batter together and chill several hours or overnight. Roll pieces in shape like fingers, then roll in sesame seeds. Cook on ungreased cookie sheet at 350 °F. Can double or triple if you like. Eat with hot tea or coffee.

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Speaking of Americans making cookies, Tiffany Wardle totally blew our collective minds with this West-Coast speciality: “The most American cookies might be Cake Mix Cookies”.

1 box of cake mix
2 eggs
1/3 cup oil (I use coconut)
1 tbsp water (I think proximity to water level requires more or less)
Extra: chocolate chips, walnuts, other

Use a small scoop for precision (or not). Bake at 375 °F for 10 minutes.
Note that most online recipes say 1/2 cup of oil. I find them too loose and oily. Also easily turned into a large cookie cake by simply dumping the entire mixture into a pan and flattening it.

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Do you gals and guys have favourite recipes from your region? We’d love to hear about them in the comments. (Take a leaf out of Lisa Schultz’s book, for instance. She has a whole blog dedicated to baking!)
And if any of you are going to make some of these delicacies please send us photos! Happy holidays and a sweet and rich start into 2019 😚

Our 2018 (Type-Centric) Holiday Gift Guide

calligraphic gift tag sample

Ho Ho Holler type friends,
The holidays are fast approaching and we ’bettes wanted to give you some gift inspiration for the festive season.

I (Nicole Arnett Phillips) am particularly enamored with this amazing new project by Aussie letterer Jess Cruickshank, her Christmas Calligraphy Drive is an effort to raise funds for the Asylum Seeker Resource Center. Through this website, you can order gift tags personalized with names written in beautiful calligraphy. This lovely penmanship is for a great cause, 100% of gift tag sales will be donated. But shipping is in Australia only (unfortunate for those of use further afield)!

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Tooting some horns: new type releases!

Self-promotion can feel somewhat gross but who doesn’t love touting the accomplishments of others? The past several months have seen a bevy of new typeface releases by many talented folks, but perhaps you haven’t heard about all of them yet? In no particular order, let the horn-tooting begin. Drumroll, please!

Pigeonette sample
Pigeonette (Future Fonts)
by Ro Hernández

Pigeonette “combines the sketchiness of handwriting with the open spacing and charmingly awkward proportions of typewriters in a not-quite-monospaced design with a comfortable reading texture.” Started as Hernández’s graduation project, it’s now getting its wings on Future Fonts. Throw it some bread while support for central European languages and Cyrillic is still in the works.

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