ROSTA windows were Agitprop posters created by artists and poets like Cheremnykh, Mayakovsky, Moor, Nuremberg, and Volpin for the Russian Telegraph Agency (ROSTA). They were usually displayed in windows and often painted with cardboard stencils rather than printed.
This is a selection of Vladimir Vladimirovich Mayakovsky’s posters designed for ROSTA from the book:
Duwakin, W. (1967). Rostafenster. Majakowski als Dichter und bildender Künstler. Dresden: VEB Verlag der Kunst
In December 2015 I spotted an unconventional SKULL AND CROSSBONES ☠ [U+2620] on a passing truck transporting explosive goods in Gujarat, India. Needless to say I immediately demanded a whole set of emoji based on it, and needless to add nobody volunteered.
So here I am, a year later, trying myself as an emoji designer and simultaneously exploring possibilities of bringing this font to life. And that, I discovered, is a bottomless pit if I’ve ever seen one.
What a day! We marched throughout the world and the outpouring of homemade messages of solidarity, resistance, love, and strength has been overwhelming. Here are a few of our efforts and some amazing signs we witnessed.
Some signs by Bettes:
Indra (after ECS)
ECS and Naomi
Our Washington DC correspondents ECS and Naomi found some amazing signs at the big march:
Oak Knoll Press, 2016
Perhaps it is because we live in an age where styling and self-promotion shape how and whether we revere design, that the austerity of this book, and indeed, Carol Twombly’s life and career, feel so other-worldly. Which is not to say that Twombly is somehow weird or that this book about her life and work is lacking. In fact, the book is very well-written and — dare I say it, (this is a type nerd book after all) — quite an engaging read.
It’s [finally!] time to say goodbye to 2016 and we thought we’d end the year with a long overdue round up of Alphabettes-related news.
The Fitchburg Alphabet project by Anna Schuleit Haber for Fitchburg, MA’s Sentinel & Enterprise newspaper wins Publick Occurrences Award for outstanding journalism. Contributors to the series included Shoko Mogikura, Nina Stössinger, Laura Meseguer, Therese Schuleit, Francesca Bolognini, Anna Schuleit Haber, Indra Kupferschmid, Geri McCormick, Catherine Griffiths, and Nicole Dotin
Barbara Bigosinska releases Mala
Last week the latest issue of Neshan magazine —the biggest magazine with a focus on graphic design in Iran — issue number 37 (read here), was published. I first came across the cover of this issue on the instagram account of a colleague, and was instantly drawn by three words printed under the logo: Women and Design. Curious, I scrolled down to the caption to see what articles had been considered for/on a demographic I am very much a part of. I was confronted by a list of essays on female designers, almost entirely written by men. It was exasperating, and not because I was disappointed, but because I found this long list of male writers predictable, and therein lies the problem.