Part 2: What does a feminist graphic design history in the United States look like?

This is Part 2 of the series, “What does a feminist graphic design history in the United States look like?” Read Part 1 here.

In the 19th and early 20th centuries, technological advancements helped information spread fast and far. The industrial revolution led to the creation of mass media as well as romantic and revolutionary outcomes. The mechanization of print culture facilitated the geographical spread of belief systems and information as well as offered the possibility to critique, question and reject established models of society to serve women’s rights.

Information Design

Emma Willard’s Map Temple of Time

Emma Willard, Temple of Time, 1846. Accessed March 8, 2020: https://bostonraremaps.com/inventory/emma-willard-temple-of-time-1846

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24-hour Hangout for International Women’s Day 2020

If you happen to google “24 hour google hangout”, you’ll end up right here. (Well, not quite right here, but right here.) Last year around now, we had this collectively zany idea to host a global 24-hour hangout to celebrate International Women’s Day and well, it actually went pretty great. That’s why we’re doing it again! Mark your calendars, set your alarm clocks, pour yourself a nice cup of coffee / tea / wine / beer (depending on your timezone) and join us once again this Sunday, March 8 for our 24-hour Hangout for International Women’s Day 2020!
What will we talk about? Whose cat will walk across their keyboard? What’s on Amy’s desktop now? Does 2am even exist on the first morning of Daylight Saving Time? Let’s find out!

From 12am (0:00) EST to 11:59pm (23:59) EST on March 8, join the hangout for conversation on type, the universe, whatever!

>> ̶H̶̶̶e̶̶̶r̶̶̶e̶̶̶’̶̶̶s̶̶̶ ̶̶̶t̶̶̶h̶̶̶e̶̶̶ ̶̶̶l̶̶̶i̶̶̶n̶̶̶k̶̶̶ ̶̶̶t̶̶̶o̶̶̶ ̶̶̶t̶̶̶h̶̶̶e̶̶̶ ̶̶̶l̶̶̶i̶̶̶v̶̶̶e̶̶̶ ̶̶̶H̶̶̶a̶̶̶n̶̶̶g̶̶̶o̶̶̶u̶̶̶t̶̶̶ ALL Done! Thanks for Joining Us!<<

All are welcome* when you can and leave when you need. Video is possible but just audio is fine, too. Keep an eye on this spot and Twitter for the link or any updates and help us spread the word! WOMEN = FUN.

* Participants must follow our code of conduct.

WOMEN = FUN

What does a feminist graphic design history in the United States look like?

Why are women’s contributions to society systematically overlooked and obscured? Design is no exception to the rule. There is a disturbing lack of literature on women’s impact in the history of graphic design. During this year’s Women’s History Month, I will share a curated collection of twelve artifacts, from the fifteenth century through the twentieth century, that offer, from a feminist perspective, a counter visual story to the traditional white male and widely received narrative in graphic design history. Before diving into contextualizing this work, I want to briefly explain my position and how I came to focus my research on illuminating female narratives.

As individuals, we are all irradiating complex systems defined by society along with our nuanced multilayered identities. When I walk into a room, at the most superficial level, one can read that I am a woman. I am light skinned. I have tattoos. When I start talking, my French accent suggests that I am from another country than the United States. I am indeed from Morocco and I am Arab. Living in Morocco was violent in many ways. My gender was enough to be constantly harassed since I was a teen, judged on every single thing I did and ultimately made me feel like an outsider every day. I came across the word feminism in high school. It made me feel somewhat normal that my mindset was not unique. But I did not understand the divide within feminism at that time until very recently. I just knew I did not want to be subject to anything or anyone. Freedom (from patriarchy) has always been a fight to be my own person and fulfill my own purpose. As a result, my work will always have a feminist point of view. 
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The Malee Scholarship: Interview with Chantra Malee Montoya-Pimolwatana

screenshot of malee scholarship homepage

The Malee Scholarship awards $6000 USD annually to a woman of color ages 16 and over. The deadline for the first application is April 15, 2020. We asked Chantra Malee Montoya-Pimolwatana, co-founder of Sharp Type and namesake of the scholarship, a few questions about how the idea started, the site’s beautiful branding, and the application process.

When did you realize the scholarship was necessary to help address the lack of representation of women of color in type design?
I grew up in a small New England town that was heavily rooted in the Anglo-American tradition and culture. I was part of a small percentage of people of color there, and I often felt isolated. I’ve taken that experience with me everywhere in my personal and professional life. When I first got into the type business, it was not much different than other industries I had worked in, primarily represented by a single demographic. But this time I was in a position to make a difference.

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Mentorship update: February 4, 2020

We are happy to update that we are getting close to the relaunch of the Alphabettes mentorship program! We are now actively seeking new mentors.

If you are interested in becoming one of the Alphabettes mentors, please fill in this form

If you are interested in becoming a mentee on the program, please fill in this form

About the Alphabettes mentorship program

We are building a database of professionals willing to mentor less experienced people in the fields of type, typography, and the lettering arts. The aim is to give guidance to students and new professionals by sharing experiences and knowledge. Most mentees ask for portfolio guidance and career or educational advice. Some people simply look for a sounding board or an opportunity to discuss type related topics and to understand how they can get more involved in the lettering and type communities.

We check in periodically to ensure everyone is still happy with the arrangement and encourage both the mentor and the mentee to contact us if the relationship is not working for some reason. We would like to emphasise that the mentors are not expected to provide private tutoring or consultation. The program is open to everyone in our field, depending on demand, we may give preference to underrepresented groups.

Email us at mentorship@alphabettes.org for questions and we promise we will get back to you as soon as we can.