Review: ‘Carol Twombly: Her brief but brilliant career in type design’

Oak Knoll Press, 2016

Perhaps it is because we live in an age where styling and self-promotion shape how and whether we revere design, that the austerity of this book, and indeed, Carol Twombly’s life and career, feel so other-worldly. Which is not to say that Twombly is somehow weird or that this book about her life and work is lacking. In fact, the book is very well-written and — dare I say it, (this is a type nerd book after all) — quite an engaging read.
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Hidden gems in Melbourne: Renaissance Bookbinding

In 2012 I discovered a great hidden treasure in Fitzroy North called Renaissance Bookbinding.

I walked in the shop and I was absolutely amazed by the fantastic collection of books, printing presses, metal and wood type collections, not to mention the wide knowledge of Nick Doslov, a great professional bookbinder who has been in the business for over thirty years, and whose love and passion for the trade is worthy of everyone’s respect.

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For The Love of Unicode

Say the words “character encoding standard” to most people and their brains will congeal into a pile of glazed donuts, like 🍩. See how I embedded a cute little donut directly into that last sentence? You can thank Unicode for that. What is Unicode and how did it become the universal standard for digitally representing the world’s writing systems (yes, including emoji)? Plenty has been written about its history already, but here’s an attempt at a very brief overview.

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Please, no more Open Sans for a while

If you are also tired of seeing the ever same fonts and style on the web, and the rich typefaces getting richer, here is a running shortlist of potential body copy typefaces for alphabettes.org I once compiled. I did not test how they look in extended text yet, nor rendering across platforms/browsers. That would be the next step (and we’re also still quite happy with Elido although see that we could use more extensive language support). But maybe you are looking for a fresh, lesser seen typeface and want to check some out anyway. Trying on new clothes is luckily quite easy if you have a website up already, e. g. with tools/bookmarklets that swap out the fonts you currently use, like Webtype’s Font Swapper or FontShop’s Webfonter. Also, most of the typefaces below are available on Fontstand or as trial versions from the foundries, so you can test them locally or in mockups. Let us know if you end up using any at some point.

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Congrats, But …

Two little tweets in an ocean of tweets. What harm can they do, especially when their message feels overwhelmingly positive?

Last week, Indian Type Foundry (ITF) sent out the following tweet in reaction to this showcase of type designers who also happen to be women:

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Some Open Thoughts About OpenType

Typeface designers frequently seem to assume the more OT features their fonts have the better. Typeface users, on the other side, don’t always share this delight. They are often stressed by the complexity, don’t get any sense out of them or just ignore the features. Since I am both a designer and a user of typefaces I tend to sway from one position to the other.

In my work, where I am involved with script typeface design, OpenType features and coding play a very big role. I would say that a natural looking contemporary script typeface is not imaginable without an extended OT feature code.

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Character Spotlight: Latin lowercase s

Every letter in the alphabet has its own history. They change with time, and it is part of the type designer’s job to give shape to those changes. We set out to celebrate a letter that most designers would agree to be one of the most challenging forms to design in the Latin alphabet, the lowercase s.

The origins of this letter led us to the Phoenicians (1500–300 B.C.), who used three different forms: shin, shade and samekh. The shapes of the letters were simplified drawings of their names, for instance shin means teeth. This letterform is the predecessor of the Greek sigma, which evolved into the Etruscan S, and later on into the Latin form.

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Inscriptions of Phoenician shin, Greek sigma, Archaic Etruscan s, and Latin uppercase s

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Snobs, Nerds and Maniacs

Have you ever been called a type snob? Font nerd? Typomaniac?

If you use, make or draw type / letters, it’s your job to care. I’m personally guilty of using this kind of language. However, when we act like our work is somehow above the mental capacity of typographic plebeians, are we giving ourselves a bad rap?

(original tweet appears to have been deleted)

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